![]() ![]() Indeed, a couple of Van Halen II’s best cuts, such as Beautiful Girls (formerly known as Bring On The Girls) and the energetic, Judas Priest-esque Somebody Get Me A Doctor, had already been established as fan favourites. Van Halen were comfortable in Sunset Sound, but they were also confident they had an arsenal of great songs to choose from. Van Halen Album Covers: All 12 Studio Artworks, Ranked And Reviewed.Best Van Halen Albums: Their Studio Discography, Ranked And Reviewed.Best Van Halen Songs: 20 Hard Rock Classics That Broke All The Rules.Indeed, Eddie Van Halen liked Sunset Sound’s set-up so much that when he later kitted out his own 5150 Studio, he installed a desk similar to the vintage Putnam 610 console used on Van Halen II. ![]() As before, the group tracked most of the album live in the studio with the same production team, and they returned to the same facilities, Los Angeles’ Sunset Sound Recorders, where artists such as The Doors and Frank Sinatra had cut many of their classic albums. When they cut their debut album, Van Halen were a precociously gifted young band with little studio experience yet when they returned for Van Halen II, they’d become hardened road dogs who knew their songs inside out – and they firmly believed a classic record was within their grasp.Īll concerned, however, agreed that there was no need to fix what wasn’t broken when it came to recording Van Halen II. With hindsight, though, the circumstances surrounding the recording of Van Halen II differed considerably from those in which the group had created its predecessor. “Ted… said when we were rehearsing, he couldn’t believe how tight we were compared to the first record.” The recording: “The Doors and Frank Sinatra had recorded at Sunset Sound” Speaking to Record Review magazine in April 1979, just weeks after the release of Van Halen II, guitarist Eddie Van Halen recalled how surprised producer Ted Templeman had been by the group’s rapid evolution. It was an entirely deliberate move, too, for all concerned knew they’d honed the material to perfection – even if their drive and proficiency caught their production team on off guard. Yet, barely a week later, the group reconvened in the studio and embarked on the sessions that would sire Van Halen II. They spent months on the road, spreading the gospel with high-profile shows in support of acts such as Montrose, Journey and Black Sabbath, and only returned home early in December. The backstory: “Ted couldn’t believe how tight we were compared to the first record”įollowing the February 1978 release of Van Halen, the Californian quartet spent the remainder of the year promoting the album. However, when Van Halen sought to pursue the US Top 20 success of their landmark self-titled debut album with a follow-up, Van Halen II, it was the band, rather than their label, who applied the pressure. Patient Number 9 is out now and you can pick it up on vinyl, CD and cassette over at Revolver's shop.When a band scores a hit with their debut album, it’s reasonable to assume their record company might hope for a swift follow-up. And if he wants to Sabbath album, I'm not doing it!" "Maybe the tracks he did on my album was like what Sabbath should have been had we stayed together, but I want to take it away from Sabbath. There's no getting away from the fact that, when he plays with me, it'll be some kind of a reflection of that. ![]() "If Ozzy Osbourne and Tony Iommi do an album together, it's going to sound like a Sabbath album," Ozzy said. "Tony was the sound of Sabbath. Check it out above via YouTube.Īlthough Iommi has a hefty presence on this new record, and the pair recently untied to rip a couple Sabbath classics at the Commonwealth Games, Ozzy recently shot down the prospect of a proper Sabbath reunion, telling Kerrang! that he wants to distinguish any and all Iommi collaborations as something separate from their former band. While "Degredation Rules" was lyrically bonkers and musically pretty akin to Ozzy's typical solo fare, "No Escape From Now" has a bit more of a Black Sabbath feel to it, beginning with tearful acoustic strumming and building up to a jagged lead riff that Iommi twists into glowing solos and brooding, atmospheric bridge chugs. ![]()
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